Amour’s couple stands in sharp contrast to the Georges and Anne of Haneke’s earlier films, most of who suffer from various forms of alienation that, in Haneke’s universe, are characterized by a condition of “glaciation.” Having been married for most of their adult lives, their relationship continues to be determined by warmth, intimacy, and honesty. (1) In Amour (2012) they are two dignified octogenarians who live in a spacious Paris apartment, enjoying their autumnal lives as music lovers and patrons of the piano arts. ![]() ![]() Once again, Michael Haneke gives us a story about Georges and Anne, the bourgeois couple that, in various incarnations, has populated his films since the 1980s.
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